My position is called the sittings assistant. It's a little broad. Basically, I'm Carine's second assistant on set for everywhere in America and sometimes in Europe depending on who's available and what's going on. That applies to the magazine and all of her outside projects, too. All her ad campaigns and all of her collaborations and things like that. Part of my job specifically here is to find all the vintage and unique costume pieces that make the story more Carine. That's a challenge in itself because it's not something you can find on Style.com where you can go to Dior Look 53 and "Okay. That's the perfect piece." It's something that's maybe in Europe or maybe in Idaho, and somebody has to hand make it the night before the shoot and send it. I do a lot of research on old editorials and old movies and stuff like that for inspiration for stories. Another developing part now is that I'm styling a lot for online, and I am slated to do "x" amount of stories a month. It gives me a huge platform to work off of because eventually, I want to become my own stylist and not be an assistant, but for right now I'm in a really great spot and I have a really great platform to work with. It's a lot of work to produce content on my own for the website but it's also really rewarding and it's a huge, huge opportunity that a lot of people don't have.