Now you're an editor at Violet, which is super exciting. How’s that going?
Great, it was very exciting and scary to have freedom when I started. Leith put a lot of trust in me and looking back it felt so good to be accountable because I was so so ready to do it on my own. Leith is keen on having all women crews for a lot of Violet’s work. I tend to actually work with women a lot - Anna Victoria Best, Sarah Louise Stedeford and Sam Copeland are my favorites girls to shoot with.
How would you describe the environment when it’s all women?
I don't think it’s particularly different compared to a mixed environment, but I personally feel I'm able to communicate better. I do know that I'm very comfortable shooting with women and also I just tend to gravitate towards women photographers more for some reason.
Are there any challenges to not working in an office?
I don't mind working from home. I think that I work quite well from there because I’m focused and know that the job in hand has to be completed. The biggest problem is the amount of stuff that I always have. It's never just you go on set, you do a job, and then you go home. There are boxes, bags, and samples around me all the time. I can never disconnect from work because I am always surrounded by it. I’m always on my phone dealing with emails even when I’m not in my home surrounded by samples so I never really escape it. But overall I really do love the flexibility.